Sound-Design doesn´t start in the studio, it has to be kept in mind already on location
. The path from hitting record to a Surround-Cinema-Mix for big high budget productions will be as well discussed as ways of acquiring good sound if you are filming alone
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Peter learned modern microphone techniques for classical music production and will show how these translate seamlessly into the sonic world of film .
We will look and try out modern Location Sound Equipment, see how the footage is layered in a DAW and mixed to different industry standard deliveries.