Sound-Design doesn´t start in the studio, it has to be kept in mind already on location
. The path from hitting record to a Surround-Cinema-Mix for big high budget productions will be as well discussed as ways of acquiring good sound if you are filming alone
Peter learned modern microphone techniques for classical music production and will show how these translate seamlessly into the sonic world of film
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We will look and try out modern Location Sound Equipment, see how the footage is layered in a DAW and mixed to different industry standard deliveries.